Erika Tan (b. 1967, Singapore) is an artist and curator based in London. Her work evolves from an extensive process of research focused on interests in received narratives, contested heritage, subjugated voices and the transnational movements of ideas, people and things. Solo exhibitions include APA JIKA, The Mis-Placed Comma, National Gallery Singapore ‘Uncommissioned’ tablet platform (2017-2020); Come Cannibalise Us, Why Don’t You? (Sila Mengkanibalkan Kami, Mahu Tak?), a major exhibition, symposium and artist book project presented at NUS Museum, Singapore, and Central Saint Martins School of Art, London (2014-2016), and Persistent Visions, Chinese Arts Centre, Manchester (2005), NUS Museum, Singapore (2010) and Vargas Museum, Manila (2010). Group exhibitions include Diaspora Pavilion, 57th Venice Biennale (2017); On Attachments and Unknowns, SA SA BASSAC, Phnom Penh (2017); Double Visions, He Xiangning Museum of Art, Shenzen (2014); Camping and Tramping Through The Colonial Archive: The Museum in Malaya, NUS Museum, Singapore (2011–2013); Thermocline of Art, ZKM, Germany (2007); Around The World in Eighty Days, South London Gallery/ICA (2007); the inaugural Singapore Biennale (2006); Cities on the Move, Hayward Gallery, London (1999). Tan studied Social Anthropology and Archaeology at Kings College, Cambridge; Film Directing at The Beijing Film Academy, followed by an MA in Fine Art at Central Saint Martins School of Art, London. She currently teaches Fine Art at Central Saint Martins, University of the Arts London, was awarded the Stanley Picker Fine Art Fellowship 2018-2020, and is a founding member of Asia-Art-Activism, Raven Row, London.