Simon Denny
Born 1982, Auckland, New Zealand, lives and works in Berlin, Germany. Drawing upon research into the practices and aesthetics of technology companies, Simon Denny creates artworks that interrogate the implications of big data in our contemporary age. Denny represented New Zealand at the 56th Venice Biennale (2015). His work was included in Manifesta 11 (2016), 9th Berlin Biennale (2016), 6th Moscow Biennale (2015), 13th Biennale de Lyon (2015), La Biennale de Montreal (2014), the 55th Venice Biennale (2013), 1st Brussels Biennial (2008), and the 16th Biennale of Sydney (2008). His work has been included in exhibitions at museums and institutions throughout Europe and the United States, and has recently been the subject of solo exhibitions at the Hammer Museum, Los Angeles (2017); BOZAR, Brussels (2017); the Museum of New Zealand Te Papa Tongarewa, Wellington (2016); Wiels, Brussels (2016); Serpentine Gallery, London (2015-2016); MoMA PS1, New York (2015); Portikus, Frankfurt (2014); Museum Moderner Kunst Stiftung Ludwig MUMOK, Vienna (2013); and Kunstverein München, Munich (2013).
The Invisible Hand (installation view), 4A Centre for Contemporary Asian Art, July 2019. Front: Simon Denny, Shenzen Mass Entrepeneurial Huaqiangbei Market Counter in OCT Theme Park Style – Battery, 2017, airbush on synthetic plaster, illuminated plinth, 125 x 132 x 68 cm. Courtesy the artist and Fine Arts Sydney. Back left: Sunwoo Hoon, Flat is the new deep, 2018, digital drawing, dimensions variable. Commissioned by the Gwangju Biennale, 2018 with support from Christina H. Kang. Courtesy the artist. Back right: Sunwoo Hoon and Mijoon Pak, Flat Earth, 2019, digital drawing, dimensions variable. Commissioned by 4A Centre for Contemporary Asian Art, Sydney, Australia; photo: Kai Wasikowski for 4A Centre for Contemporary Asian Art, courtesy the artists.