Artist talk with James Jirat Patradoon
![A Thai-Australian artist in a black top and black pants and boots stands next to a chrome motorbike against a long neon pink and yellow mural.](https://www.datocms-assets.com/53320/1635395761-jamesjiratultraweb24.jpg?ar=16%3A9&auto=format&crop=focalpoint&fit=crop&fp-x=0.5&fp-y=0.5&w=2000)
When
Saturday, 13 February 2021, 3:00am
Location
4A @ World Square
Corner Goulbourn & George Streets, Sydney
Commissioned as part of Sydney Lunar Festival 2021, ULTRA reinterprets traditional and contemporary Chinese Zodiac iconography into an immersive installation experience. Curated by 4A’s Con Gerakaris, and drawing upon Eastern and Western graphic concepts spanning manga, tattoo illustrations and product design, Patradoon’s encompassing murals and installation work reframe the 2021 Zodiac symbol of the Metal Ox.
Presented in partnership with World Square, 4A Centre for Contemporary Asian Art presents a artist talk with Thai-Australian multidisciplinary artist James Jirat Patradoon for his 14th solo exhibition, ULTRA.
Commissioned as part of Sydney Lunar Festival 2021, ULTRA reinterprets traditional and contemporary Chinese Zodiac iconography into an immersive installation experience. Curated by 4A’s Con Gerakaris, and drawing upon Eastern and Western graphic concepts spanning manga, tattoo illustrations and product design, Patradoon’s encompassing murals and installation work reframe the 2021 Zodiac symbol of the Metal Ox.
Reflecting upon the cycle of rebirth each new year, the artist has composed hypercoloured scenes of life and death as acts in a fictionalised Chinese opera. Featuring compositions of Yama, Buddhism’s wrathful King of Hell, facing off against an anthropomorphised chrome-clad ox fan dancer, the scene also reveals an otherworldly beast and a bewitching leading lady in performance grandeur. These striking characters flank the centrepiece of ULTRA: a wicked, customised motorcycle assemblage adorned with an ox skull. Taking cues from his well-known illustrative practice, Patradoon’s first sculptural work rides his signature line between realism and fantasy heightened by mesmeric lighting to challenge the viewer’s experience of viewing art.