Letter from the Editor
Pedro de Almeida

Witnessing from afar: making sense of the Karachi Biennale
Aziz Sohail

Wait man kam (White man is coming)
Eric Bridgeman

Special beings: Yasumasa Morimura and Dumb Type in Metz
Judy Annear

O ai a’u? (Who am I?): love and art at Manamea Art Studio
Mitiana Arbon

One step after another: a conversation with Lee Kun-Yong
Con Gerakaris

Narratives thwarted: Tokyo and New York take on art from Southeast Asia
Mikala Tai