Exhibition

NO FALSE IDOLS

<p><span style="font-weight: 400;">NO FALSE IDOLS</span></p>

When

13 August 2022 -
02 October 2022

Location

4A Centre for Contemporary Asian Art

181-187 Hay St, Haymarket

Exhibition opening day celebrations
Saturday 13 August, 3pm - 6pm
Free | Register here.

Access the Media Kit.

The monuments and statues that surround us are often erected to inspire feelings of reverence and piety. Frequently built in service of nationhood, people and achievements, NO FALSE IDOLS seeks to challenge symbols of the past by engaging in contemporary conversations that up-end accepted narratives and beliefs. Across multiple mediums, the artistic acts of ritual offered in this exhibition consider acts of faith and worship in contemporary life. Acts such as the performance of building monuments, embodied rituals of social criticism, constant self-affirmation, and the praise of inter and intrapersonal relationships. NO FALSE IDOLS confronts blind faith through exploring idolatry, devotion and the social structures that inform our individual and collective sense of being.

Download the Room Sheet here.

Public Program

Artist Floor Talks: Sunday Service
Sunday 14 August | 12pm - 1pm
Free | Held in-person at 4A
Register here

Meet Me At 4A: At The Altar of The Amplifier
Thursday 25 August | 6pm - 8pm
Free | Held in-person at 4A
Register here

Meet Me At 4A: Rites of Spring
Performance: Jeremy Santos and Leo Tsao
Sound: Zenith Chae and flower boy 卓颖贤
Thursday 29 September 2022 | 6pm - 8pm
Free | Held in-person at 4A
Register here

More program details to be announced.

View the NO FALSE IDOLS virtual tour below

Nabilah Nordin, Majesty, 2022, mixed media site-specific installation, dimensions variable, commissioned by 4A Centre for Contemporary Asian Art, 2022; courtesy the artist and Neon Parc, Melbourne; photo: Kai Wasikowski for 4A Centre for Contemporary Asian Art, 2022.
Jazz Money, It’s Always Been Always, 2022, neon, 97 x 99.3cm, Commissioned by 4A Centre for Contemporary Asian Art with support from the City of Sydney; Courtesy of the artist; photo: Kai Wasikowski for 4A Centre for Contemporary Asian Art, 2022.
Gallery Image 2
Kawita Vatanajyankur, The Spade (from Field Work series), 2020, two channel Ultra-HD video, 7min 41sec, Courtesy the artist, Nova Contemporary and Antidote Organisation;  photo: Kai Wasikowski for 4A Centre for Contemporary Asian Art, 2022.
Ramesh Mario Nithiyendran, Gold Figure with Elephant Legs, 2017, 24k gold plated bronze, 50 x 38 x 15cm, edition of 3 plus 2 APs; Courtesy the artist andSullivan+Strumpf, Sydney; photo: Kai Wasikowski for 4A Centre for Contemporary Asian Art, 2022.
Kusum Normoyle, Solid (Loud) Matter (performance documentation), 2018, solve glaze on satin rag paper, 190 x 130cm. Commissioned and presented by TarraWarra Biennale 2018. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body, Courtesy the artist; photo: Kai Wasikowski for 4A Centre for Contemporary Asian Art, 2022.
Otis Hope Carey, the gaagal series, 2022, mixed media, dimension variable. Commissioned by 4A Centre for Contemporary Asian Art with support from the City of Sydney. Courtesy the artist and China Heights, Sydney; photo: Kai Wasikowski for 4A Centre for Contemporary Asian Art, 2022.
Lu Yang, Wrathful King Kong Core, 2016, single channel HD video, stereo sound,14:38 mins; Courtesy the artist; photo: Kai Wasikowski for 4A Centre for Contemporary Asian Art, 2022.
  

Events

Image: Lu Yang, Wrathful King Kong Core_2011_single channel HD video, stereo sound, 14:38 mins, Courtesy the artist.